Category: Collections & Curiosities

  • The Curious Value of Learning Things You’ll Probably Never Need

    The Curious Value of Learning Things You’ll Probably Never Need

    People have asked me all my life why I spend so much time learning things I’ll probably never need.

    To be honest, they’ve got a point.

    I don’t need to know the chemical formula for caffeine. (C₈H₁₀N₄O₂, since you asked.) I certainly don’t need to know that a 2:1 ratio of L-theanine to caffeine is generally considered the ideal combination for alertness without the jitters. I almost certainly don’t need to know how to pick a lock, open a combination padlock, or solve a Rubik’s Cube in under two minutes.

    Yet somehow these things have all found their way into my head. I seem to have developed something of a talent for learning useless things.

    Every time I go abroad, I tell myself I’ll learn a few useful phrases. “Hello.” “Thank you.” “A table for two, please.”

    Somehow that always escalates into learning how to ask for directions, apologise for my terrible pronunciation, explain that I only speak a little of the language, and enquire whether the nearest hospital is within walking distance.

    On paper, none of this seems like a sensible investment of my time.

    Then again, neither do many of my hobbies.

    The First Aid Incident

    Back in 2001 I was living in Aberdeen, working as a software developer for an oil and gas engineering company.

    To be clear, I never worked offshore. I never set foot on an oil platform. I spent my days writing software in a perfectly ordinary office.

    Naturally, I decided I ought to learn some offshore survival.

    I also became a fire warden.

    And, because apparently office life is a dangerous business, I persuaded my employer to send me on a British Red Cross first aid course. You never know when someone might suffer a particularly aggressive paper cut.

    At the end of the course I proudly received my certificate, a basic first aid kit, a copy of the British Red Cross First Aid Manual, and a rather nice canvas shoulder bag to carry it all in.

    Our instructor smiled and said, “With any luck, you’ll never need to use any of this.”

    Famous last words.

    This next part genuinely happened.

    I left the training centre, phoned my girlfriend to tell her I’d passed, crossed the road, and had barely walked a dozen feet when an elderly lady tripped over the kerb right in front of me.

    She landed heavily on the pavement, banged her elbow, knocked the wind out of herself, and split her plastic shopping bag, sending tins and groceries rolling in every direction.

    I don’t think the ink on my certificate had even finished drying.

    Within seconds I was tearing the cellophane off my brand new first aid kit, treating her injuries, calling for an ambulance, and transferring her shopping into my equally brand new British Red Cross canvas bag.

    About twenty minutes later, as the paramedics were helping her into the ambulance, my instructor walked out of the training centre.

    He looked at the ambulance.

    He looked at me.

    Then, with a wonderfully puzzled expression, silently mouthed:

    “What happened?”

    I could only shrug.

    Honestly, I wasn’t entirely sure myself.

    When Curiosity Pays Unexpected Dividends

    I’d love to tell you that this was a one-off, a bizarre coincidence that could never possibly happen again.

    Unfortunately, life seems to have other ideas.

    Fast forward to this year.

    My wife and I decided to visit Tromsø in northern Norway to see the Northern Lights.

    As always, I decided to learn a little of the local language before we travelled.

    Well, a little by my standards.

    Most people learn “hello”, “thank you”, and perhaps “two coffees, please.”

    I apparently prepare for every conceivable emergency.

    By the time we arrived I could order food, ask for directions, apologise for my dreadful Norwegian, explain that I only spoke a little of the language, ask for help, and generally muddle my way through basic conversations about the weather and what tourist destinations they’d recommend.

    Then my wife slipped on an icy pavement, broke her wrist (it later transpired), and suddenly I found myself spending the better part of a day in a Norwegian Accident & Emergency department acting as a very enthusiastic, if rather amateur, translator.

    Did I know beforehand that I’d need to ask for medical assistance in Norwegian?

    No.

    Did I learn how anyway?

    Yes.

    Did it turn out to be useful?

    Rather inconveniently… yes.

    Curiosity Doesn’t Care Whether It’s Useful

    The funny thing is, none of these things were learnt because I expected them to be useful. Unlike the Monty Python phrasebook, I very much doubt I’ll ever need to utter the immortal phrase, “My hovercraft is full of eels.” That said, do I know of a website that translates exactly that sentence into almost every language imaginable, including Pig Latin and Klingon?

    Of course I do.

    That’s never really been the point.

    I learnt these things because they interested me. Curiosity has never once asked whether something will improve my career, save me money, or even come in remotely useful. It simply points enthusiastically at something and says, “Ooh… what’s that?”

    Rabbit Holes Worth Exploring

    People still ask why I bother learning things I’ll probably never need, and the truth is that most of the time I never do. Most ADHD rabbit holes lead absolutely nowhere, and that’s perfectly fine. Every so often, however, life presents me with a bizarrely specific problem that can only be solved by knowing a bizarrely specific thing. An elderly lady falls over less than a minute after I complete a first aid course. My wife slips on the ice in northern Norway just weeks after I’ve been enthusiastically cramming conversational Norwegian. Suddenly, yesterday’s apparently pointless hobby becomes today’s unexpectedly useful skill.

    I’ve stopped asking whether something will be useful before I learn it. Experience has taught me that life has an odd sense of humour, and an even odder habit of rewarding curiosity in the most unexpected ways.

    So I’ll keep disappearing down rabbit holes, keep learning apparently useless facts, and if my wife and I ever decide to explore the Amazon rainforest, I’ll almost certainly spend a month learning enough bushcraft and jungle survival to give Bear Grylls or Ray Mears a run for their money.

    Just in case.

  • Why I Love Museums.

    Why I Love Museums.

    I have yet to visit a museum I didn’t like.

    Some have been better than others, certainly, but I have never walked out of one thinking, “Well, that was a disappointing collection of fascinating things.”

    Large or small, broad or niche, I love museums. When I’m in London they’re some of my favourite places to spend time, and in London we’re really spoiled for choice. Clustered together in South Kensington you’ve got the V&A, the Natural History Museum, and, just around the corner, the Science Museum. Up in Bloomsbury there’s the OG GOAT, the British Museum, containing some of the very best purloined and, ahem… “enthusiastically acquired” artefacts from the four corners of the globe. (Hey, let’s not get political here. – Ed.)

    Further afield there’s the National Maritime Museum in Greenwich, and not forgetting my old stomping ground, the Horniman Museum in Forest Hill, complete with its famously overstuffed walrus.

    Those are just a few of my regular haunts.

    I don’t really go to museums to “learn” in the formal sense. I go because they’re one of the few places left where curiosity doesn’t need to justify itself. Nobody asks what you’re going to do with the information you’ve just discovered. Nobody expects it to improve your productivity or advance your career. Sometimes it’s enough simply to stand in front of an object and think, “Well… that’s fascinating.”

    I can happily spend hours wandering around a museum on my own. Not only do I find them endlessly fascinating, but they’re also havens of calm, quiet, and peace. Unlike the busy, bustling streets or shopping centres, nobody has ever stood next to me in a museum shouting into their mobile phone about printer cartridges.

    Well… not usually.

    There’s always the annoying exception.

    Museums Are Libraries for Things

    Books preserve ideas and knowledge.

    They also preserve some truly dreadful plots, improbable narratives, and larger-than-life characters, but I digress.

    Museums preserve objects.

    Every exhibit has a story.

    Every exhibit has a history.

    Every exhibit has a purpose.

    Every exhibit has a journey.

    A Roman coin isn’t just a coin. It may have been somebody’s wages. It may have paid for a meal, a night’s lodging, or a particularly good mug of mead. Perhaps it was dropped and lost in the mud, or perhaps somebody carefully buried it for safekeeping and never returned.

    A steam engine isn’t just a collection of iron and brass. It represents the Industrial Revolution in miniature. It may have pumped water from a mine, powered a textile mill, or hauled ore from Cornwall to London while quietly transforming the world around it.

    Objects are never just “things”.

    They’re tiny windows into somebody else’s life.

    I’ve often thought that museums are what happen when humanity collectively decides, “We probably shouldn’t throw this away. It might be important later.”

    In many respects, a museum is simply a much larger, considerably better organised version of every family’s junk drawer.

    The difference is that somebody has already rummaged through the drawer and decided which objects tell the best stories. Museums don’t really preserve things. They preserve curiosity. Every display case is an invitation to ask, “Who made this?”, “Why did they make it?”, and “What was life like for the person who used it?” I don’t always need the answers. Sometimes the questions are the interesting part.

    Curiosity Without Purpose

    Modern life sends us some rather contradictory messages.

    On the one hand we’re expected to keep up with the latest technology, the newest trends, and whatever today’s fashionable productivity hack happens to be. On the other, we’re encouraged to own less, declutter our lives, and throw away anything that doesn’t “spark joy”.

    The trouble is, in my case, almost everything sparks joy.

    Museums quietly reject the entire premise.

    Modern life constantly asks:

    “What’s the point?”

    Museums simply reply:

    “Because it’s interesting.”

    And, for me at least, that’s more than enough.

    I can happily spend twenty minutes studying a fossil, a Viking comb, or a display of Victorian kitchen utensils. Not because they’ll help me earn more money or make my day-to-day life more efficient, but because they’re fascinating. Sometimes they’re educational. Sometimes they’re beautiful. Often they’re all of the above.

    The Peace and Quiet Is Underrated

    One of the things I appreciate most about museums is something people rarely mention.

    They’re quiet.

    They’re orderly.

    They’re predictable.

    There’s an almost reverential atmosphere about them. People naturally lower their voices, slow down, and actually pay attention to what’s around them.

    For me, that’s the complete opposite of a shopping centre.

    Shopping centres are frenetic, noisy, crowded, brightly lit, and full of people apparently engaged in some sort of competitive speed-walking event. I find them exhausting.

    Museums have the opposite effect.

    They calm me down.

    They centre me.

    I’ve quite happily spent the best part of an entire day in a museum, especially if it has a decent café and an excellent bookshop attached.

    Every Object Has a Story

    The larger museums cover an astonishing breadth of human experience. One minute I’m looking at Egyptian artefacts thousands of years old, the next I’m staring at inventions from the late twentieth century.

    There’s something distinctly unsettling about visiting a museum to look at ancient history and suddenly finding the exact same Trimphone your parents had sitting proudly behind glass.

    As I’ve mentioned in previous posts, I’m something of a collector myself. I have numerous collections of things I find interesting, quirky, or simply too fascinating to leave behind.

    Museums do exactly the same thing.

    Just on a considerably larger scale.

    Every object once belonged to somebody.

    Somebody designed it, made it, used it, valued it, then sadly lost it.

    Then, somehow, it ended up behind glass because somebody else recognised that it was worth preserving.

    There’s something deeply human about that.

    Whenever I visit a museum I find myself thinking less about the objects themselves and more about the people behind them. Someone sat at a workbench and made this, carried it, repaired it when it broke. And then much later someone else decided it was too important to throw away. Long after they’ve gone, a small part of their life survives behind a sheet of glass, quietly telling its story to complete strangers. I find that oddly comforting.

    We Preserve What We Value

    Museums aren’t simply rooms full of old “stuff”.

    Because every museum is curated, every museum accidentally reveals what a society believes is worth remembering.

    Sometimes that’s kings, queens, great battles, famous paintings, or technological breakthroughs.

    Sometimes it’s kitchen utensils, railway tickets, children’s toys, wine goblets, or obscure calculating devices.

    If I’m honest, it’s often the ordinary objects that fascinate me the most.

    Civilisation wasn’t built solely by kings and generals.

    It was built day by day by ordinary people.

    People who packed lunches.

    People who worried about warm clothing.

    People who needed decent shoes.

    People who wrote shopping lists on clay tablets and prayed to pantheons of strange gods.

    Those are the people I find myself wondering about.

    Permission to Wonder

    This is probably my favourite reason for loving museums.

    Somewhere along the line many adults stop asking, “What does this do?” or “Why does it work that way?”

    We lose something of our childlike curiosity.

    Museums quietly encourage exactly the opposite.

    In fact, they almost insist upon it. They invite adults to behave like children again, in the very best sense of the word. To point at things. To ask daft questions. To become excited by a beautifully engineered clock, a dinosaur skeleton, or a collection of eighteenth-century spoons that nobody has thought about for two hundred years. Curiosity, after all, isn’t childish. It’s one of the most profoundly human qualities we possess.

    Every display case seems to say:

    “Go on. Be curious. Ask questions. That’s what I’m here for.”

    If you ask me, and seeing as you’re reading my blog I’ll assume you do, that’s rather lovely.

    My Perfect Day

    My perfect museum visit involves wandering around without a map.

    I don’t think of it as aimless wandering.

    I prefer to call it exploring.

    I’ll spend far too long reading information boards, become unexpectedly fascinated by a single fossil, discover something I didn’t even know existed, and then inevitably wander into the gift shop.

    There I’ll buy a book.

    Then another book.

    Perhaps a T-shirt.

    Then realise I’ve bought too much and purchase a tote bag to carry everything.

    At which point I’ll probably buy another book because, well, I’m already there.

    I may as well make the most of it.

    The museum gift shop is where my wallet quietly resigns itself to the inevitable.

    Closing Thoughts

    Perhaps that’s why I love museums so much.

    They aren’t really buildings full of old objects.

    They’re quiet celebrations of human curiosity.

    Every display case says:

    “This mattered.”

    “Somebody made this.”

    “Somebody discovered this.”

    “Somebody thought this was worth keeping.”

    In a world obsessed with the newest thing, museums gently remind me that old things still have stories to tell, and that knowledge doesn’t need to earn its keep to have value.

    More than anything else, museums give me permission to remain curious. To keep asking questions. To keep learning. To keep wondering how things work and why people made them in the first place.

    Growing older shouldn’t mean becoming less curious.

    If anything, I rather hope it means becoming more so.

    Besides…

    Where else can I spend an afternoon looking at medieval surgical instruments, Roman pottery, steam engines, dinosaur skeletons and an alarmingly overstuffed walrus without anybody questioning my life choices?

  • Why Neurodivergent People Often Become Collectors

    Why Neurodivergent People Often Become Collectors

    I sit here in my home office, surrounded by many little boxes, each containing a strange assortment of items.

    If you’ve read my About Pete page (or followed me here from my Mastodon profile), you’ll know I am a collector of collections. Not content with collecting just one type of thing, I somehow ended up collecting multiple collections. So much so that my collections have effectively become a collection in their own right.

    A collection squared, if you will.

    How did this happen?

    More importantly, why did this happen?

    I used to simply pick up things I found interesting. At some point I realised I didn’t merely “own some things”. I had somehow become the curator of a growing museum dedicated to obscure enthusiasm.

    Slide rules. Rubik’s Cubes. Cravats. Books. Albums and CDs. Fossils and minerals. Obsolete retro technology. Raspberry Pis.

    Left unsupervised long enough, I would probably begin alphabetising pebbles or categorising sawdust!

    What is it about collecting that I find so satisfying? What part of me does it appease? What itch does it scratch?

    Speaking as an autistic person, I know from first-hand experience that neurodivergent brains often experience:

    • overwhelm
    • anxiety around unpredictability
    • sensory chaos
    • cognitive overload

    Collections, and the act of collecting, provide:

    • systems
    • categories
    • rules
    • predictability
    • control

    A collection is a tiny universe whose logic makes sense; a small island of order in an otherwise bewilderingly noisy world.

    Many neurodivergent people possess brains that seem permanently configured to look for patterns. We sort things. We categorise things. We organise things into neat little systems that make perfect sense to us and absolutely nobody else.

    Give us a collection and we won’t simply see a shelf full of objects.

    We’ll see relationships.

    A Rubik’s Cube isn’t just a Rubik’s Cube. It’s a particular mechanism, produced by a particular manufacturer, with a particular turning feel and a particular place in the evolutionary history of twisty puzzles.

    A slide rule isn’t simply a calculator from before calculators. It’s a fascinating collection of scales, layouts and design decisions reflecting the mathematical needs of a particular era.

    Books aren’t merely books. They’re editions, printings, cover variations and publishing histories.

    The same applies to fossils, stamps, coins, model trains, vintage computers, or whatever flavour of obsession has currently attached itself to the brain.

    What often fascinates us isn’t simply the object itself but the system surrounding it.

    The classifications.

    The subtle differences.

    The exceptions to the rules.

    The one obscure variation that only three people on Earth appear to care about.

    Most people look at a shelf and see “a collection”.

    A pattern-seeking brain looks at the same shelf and sees a map.

    Every object has a place. Every category has a purpose. Every missing item creates a tiny itch in the back of the mind that quietly whispers:

    “You know exactly what’s supposed to go there.”

    The collection becomes more than a pile of things. It becomes a system to explore, understand and occasionally obsess over.

    And for brains that derive genuine pleasure from finding order amidst chaos, that’s immensely satisfying.

    Of course, collections aren’t just about categorisation and pattern-seeking. If they were, a spreadsheet would be every collector’s dream and nobody has ever become emotionally attached to a spreadsheet.

    Well… almost nobody. :embarrassed smiley:

    Over time, collections become something more than the objects themselves.

    A favourite book isn’t merely paper, ink and glue. A battered old slide rule isn’t simply a calculating device. A particular Rubik’s Cube isn’t just coloured plastic.

    They become markers in the timeline of our lives.

    Some remind us of places we’ve been.

    Others remind us of people we’ve known.

    Some represent achievements, discoveries or periods when life felt particularly good.

    Others survived difficult times and somehow became associated with comfort, familiarity and stability.

    For many neurodivergent people, objects can provide a reassuring sense of permanence in a world that often feels unpredictable.

    People change.

    Jobs change.

    Circumstances change.

    Favourite television programmes get cancelled.

    Entire social media platforms appear, dominate the internet for five years and then vanish into obscurity.

    But that slightly battered book you’ve owned for twenty years?

    It’s still there.

    That curious fossil sitting on the shelf?

    Still there.

    The collection remains a small constant in an ever-changing world.

    Objects also possess several advantages over people.

    They don’t judge your interests.

    They don’t suddenly decide they no longer like you.

    They don’t require careful interpretation of facial expressions, body language or implied meanings hidden beneath three layers of social convention.

    Most importantly, they don’t initiate small talk.

    I’ve yet to encounter a slide rule that felt compelled to discuss the weather.

    A collection is predictable. It has structure. It behaves according to understandable rules. You know where things belong and what purpose they serve.

    In a world that can sometimes feel noisy, confusing and chaotic, there is something deeply comforting about that.

    Perhaps that’s why collections often become emotional anchors.

    They’re not merely accumulations of objects.

    They’re accumulations of memories, interests, experiences and fragments of identity.

    They’re little pieces of ourselves arranged neatly on shelves.

    The Dopamine Hunt

    Then there’s the dopamine hunt.

    If autism often provides the catalogue, ADHD frequently supplies the expedition.

    For many collectors, the real excitement isn’t owning the item.

    It’s finding it.

    The search itself becomes the hobby.

    Tracking down a rare edition.

    Discovering an obscure variant.

    Learning some wonderfully unnecessary fact about a manufacturing change made in 1973.

    Completing a set that has been taunting you for years.

    It’s part treasure hunt, part side gather quest and part Pokémon for adults with back pain.

    An ADHD brain can derive astonishing amounts of happiness from locating a very specific obscure object that nobody else on Earth appears to care about.

    Hours of searching, weeks of waiting and countless dead ends can all evaporate the moment the target is finally acquired.

    Of course, this creates a slight problem.

    The dopamine was never entirely in the object.

    It was in the chase.

    Which explains why collectors are often found muttering the dangerous phrase:

    “I’m only looking…”

    Right before accidentally acquiring three more items for the collection.

    Some Collections Are Apparently More Respectable Than Others

    One of the more fascinating quirks of society is that some collections are considered sophisticated while others are considered evidence that you should perhaps be supervised more closely.

    Collect vintage wines and you’re a connoisseur.

    Collect rare watches and you’re an investor.

    Assemble a garage full of classic cars and people nod approvingly while using words like heritage and craftsmanship.

    Collect Rubik’s Cubes, slide rules or obscure retro clothing and suddenly you’re “that bloke with all the cubes” or “that fat prat in the cravat”.

    The strange thing is that the underlying behaviour is often identical.

    In both cases someone is spending considerable amounts of money acquiring objects they don’t strictly need, learning unnecessary amounts of information about them and becoming disproportionately excited when they discover a rare variant.

    Apparently spending £10,000 on a watch is a sensible investment.

    Spending £10 on a forty-year-old slide rule is a cry for help.

    I remain unconvinced by this distinction.

    The Danger Zone

    Of course, like most things that bring us comfort and enjoyment, collecting can occasionally wander into less healthy territory.

    A collection can become clutter if it grows faster than our ability to manage it.

    The thrill of acquisition can become an expensive habit.

    The search for the next item can sometimes become more important than appreciating the things we already have.

    For some people, collections can also become a form of avoidance; a way of retreating into a familiar and controllable world when life outside feels difficult, uncertain or overwhelming.

    There’s nothing inherently wrong with any of this.

    Most hobbies have their excesses.

    The trick, as with so many things, is balance.

    A collection should enrich your life, not consume it.

    It should be a source of joy, curiosity and comfort rather than stress, debt or obligation.

    After all, if your collection starts requiring its own collection to keep track of it, it may be time for a quiet sit-down and a cup of tea.

    Physical Objects in a Digital Age

    In an increasingly digital world, I sometimes wonder whether part of the appeal of collections is simply that they are real.

    So much of modern life exists behind glass screens.

    Books become files.

    Music becomes subscriptions.

    Photographs become pixels.

    Entire friendships can be reduced to a collection of messages stored on somebody else’s server.

    There’s nothing inherently wrong with any of that. The digital world has given us remarkable things.

    But digital experiences can sometimes feel strangely weightless.

    A physical object occupies space in the world.

    A book has weight in your hands.

    A fossil connects you to a creature that lived millions of years before the first human wondered where they left their keys.

    A slide rule carries the fingerprints of the engineers, scientists and students who once used it to understand the universe.

    These things have history.

    They’ve travelled through time.

    They existed before you discovered them and, with a little care, they’ll probably continue to exist long after you’re gone.

    Perhaps that’s part of what makes them meaningful.

    When I hold an old slide rule, I’m not simply looking at an obsolete calculating device.

    I’m holding a small piece of human ingenuity.

    A reminder that generations of curious people spent their lives trying to understand the world around them.

    In that sense, collections aren’t really about ownership.

    They’re about stewardship.

    For a little while, these objects become part of our story.

    Then one day they’ll become part of someone else’s.

    There’s something rather comforting about that.

    In Closing

    So yes, perhaps neurodivergent people do collect unusual things.

    But maybe that is because we notice unusual beauty.

    Maybe we find joy in patterns other people overlook, or comfort in systems that make sense to us, or delight in a slightly odd shelf of interesting nonsense that happens to look brilliant in our own particular internal lighting.

    Or maybe we just like collecting things that make us happy and occasionally confuse visitors.

    Honestly, it is probably all of the above.

    And really, that seems like a perfectly reasonable way to spend a life.